Articulating The Arts:
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Articulating the Arts is Articulate Theatre Company's signature benefit event. It brings together our Company members and guest artists with unique works of art to use as a springboard and source of inspiration for new theatre works. Our first installment focused on playwrights taking "one image" and giving us A Thousand Words. The second one took the images Off The Wall and put them on the stage! Our third AtA, Folk City Scenes, moved us from the visual arts to the musical arts, and our fourth let us bring old folklore to the modern stage with Tales in Time.
Today's world has challenged us to look at how artists impact change in the world through protest images, as our playwrights create new theatre works in response to the art created to invoke change in our society and beyond: The Art of Protest!
Today's world has challenged us to look at how artists impact change in the world through protest images, as our playwrights create new theatre works in response to the art created to invoke change in our society and beyond: The Art of Protest!
THE GUESTS
Articulate is an ensemble but we love hosting guest artists. Learn more about them here!
The Guest Playwrights
J. B. Alexander (Playwright - Melting the ICE) J.B. is a NY-based actor and playwright. Most recently, he played the dukes of Orleans and Gloucester in Shakespeare's Henry V. J.B.'s one-man show The Metamorphosis (about a struggling writer who is transformed into Franz Kafka) has been produced in Prague, Budapest, and New York, and was nominated for the Prague Fringe Festival's Inspiration Award, which honors promising new work. J.B. volunteers with New Sanctuary Coalition as a Spanish translator for undocumented immigrants. Melting the ICE was written for Julie McKee's playwriting class at HB Studio. TV- Law & Order: SVU. AEA, SAG-AFTRA, DG jaybeealexander.net Jaisey Bates (Playwright - Eenie Meenie Minie NO) Jaisey, a misplaced Maine-iac in LA, writes/directs/performs with her multicultural nomadic theater company, The Peoplehood (the-peoplehood.com). A Princess Grace Award and O'Neill National Playwrights Conference finalist and Kilroys List honorable mention, she is a recipient of the Emerging American Playwright Prize from Marin Theatre Company. Thomas C. Dunn (Playwright - Triggered) Thomas is a Los Angeles based writer. His film work includes writing/directing the narrative features, The Perfect Witness and The Body Tree.” Other filmed screenplays include Assassin Club, Play, and Stevie. As a playwright, he’s the winner of Samuel French’s prestigious Short Play Festival and his work has been published in “Samuel French’s OOB Festival Plays, Collective: 10 Plays, Exceptional Monologues 2 For Men and Women, and numerous anthologies. His plays have been presented worldwide and he’s a member of the Actors Studio Playwright unit. Jeff Dunne (Playwright - This is Bull) Jeff is an award-winning playwright from the greater Baltimore region. His works have seen dozens of productions over the past few years and won numerous competitions and festivals, such as the Shawnee Original Playwright Series, the 10x10xInfinity Festival, and the East/West Playfest just to name a few. You can learn more about his writing at bearcreations.org. Elizabeth Gordon (Playwright - Perversity) Born in Saigon and raised in the American South, Elizabeth Gordon is a Pushcart Prize nominee who often writes on race, animal rights, and social justice issues. Her plays have been staged in venues from Massachusetts to the Carolinas, and she is thrilled to make her NYC playwriting debut with this Articulate Theatre Company production. Liv Matthews (Playwright - Hashtag Jones) Liv Matthews is a playwright from Central Florida. Her ten-minute play, Home Going, was produced by Playwrights’ Round Table in Orlando and is published in The Best 10 Minutes Plays of 2015 by Smith and Kraus. She has worked at the Alliance Theatre, first as a literary intern and then as the Kenny Leon Fellow. Her short play co-written with Dre Camacho, White Picket Fence, was produced by Working Title Playwrights in Atlanta. Her plays often explore family dynamics, the complexities of young women and teens, and the oddities and magic of the Sunshine State. They also include at least one dance number. When not writing, she can be found working through Alison Roman's cookbook Dining In, dancing to Ariana Grande, and listening to podcasts by Caitlin Doughty and Desus & Mero. Liv is currently pursuing her MFA in playwriting at Ohio University. Judd Lear Silverman (Playwright - Consequences) Judd is a Brooklyn-based playwright whose work has been seen across the country. A grant recipient from the Kerr Foundation, he is published by ArtAge, Samuel French, Focus, Stage It!, Applause Books, and the Pirandello Society of America. He teaches Playwriting and English at Pace University in NYC. |
The Guest Directors
Janet Bentley (Dir: #Bastille & Sound Designer for the full production) Janet Bentley is a director, designer, composer, and actor who holds an MFA in dramaturgy from the University of Iowa and a BA in theatre from the University of South Florida. Select directing credits: The Waiting Room (Ramallah, Palestine), The Dark and Our Fantasia by John Patrick Shanley (NYC), Basement by Michael Hagins, Abu Casem’s Slippers by August Strindberg, After Tartuffe by Judy Klass, and The Pillowman by Martin McDonagh (Florida). rolypolyproductions.com Tekla Gaughan (Dir: Perversity) Tekla Gaughan is a young New Yorker with a passion for new work. Currently a production intern for Scorpio Entertainment and Commercial Theater Institute, Tekla is ecstatic to be creating this piece with a collaborative team of artists and have the opportunity to share it with you all. She would like to thank her supportive parents and partner who constantly encourage her and Cat for saying yes. Brian Gillespie (Dir: Yearning for Peace) Brian has directed in New York City for The Samuel French Short Play Festival, Boomerang Theatre Co., New York Musical Festival, Rising Sun Production Co., Planet Connections, Hamlet Isn't Dead, Turn To Flesh Productions, Ego Actus, Co-Op Theatre East, and Pull Together Productions. He is a member of The Lincoln Center Theater Directors Lab (2018), holds an MFA from the University of Washington and was also a 2-day champion on the game show, Jeopardy! Michael Hagins (Dir: Before Yesterday Was Better) Michael Hagins is a first time director for Articulate Theatre Company! He is also an award-winning playwright of such works as The Long Rail North, Basement and Michael is Black. Michael is the artistic director of C.A.G.E. Theatre Company, and is currently the creator of 8 by 8: The Shakespeare Series where he is tasked to finish the Shakespeare Canon before August 7th, 2019! For more info go to www.facebook.com/CAGETheatre Brock H. Hill (Dir: Melting the ICE) Brock H. Hill is a New York based director and arts administrator. He was recently the Producing Artistic Director of the Planet Connections Festivity and is the Artistic Director of the Altruistic Theatre Company. He is known for ensemble based, organic work. Selected projects include: Committed (14th St Y); The Baby Monitor (Playwrights for a Cause); Child’s Play, Helvetica (Rising Sun, Planet Connections); Mistakes Madeline Made, Humans Anonymous (Tongue in Cheek Prod); Books on Tape (Tongue in Cheek, FringeNYC); Civilization! (Planet Connections Festivity); Choose Your Grown Adventure, Wardrobe of the Living Dead (Altruistic Theatre); Invoice (Leela Theatre Festival); And the Elements Spoke, In Transit (Articulate Theatre). For more information visit: Brockhhill.com Joan Kane (Dir: Triggered) Joan is the founding Artistic Director of Ego Actus and recently directed I Know What Boys Want at Theatre Row, Six Characters in Search of an Author in Oslo, Norway and Kafka’s Belinda by Aldo Nicolij in Prague. Safe and what do you mean? at 59e59 theaters and in the Edinburgh Festival Fringe, getting four star reviews for each. Joan was named to the Indie Theatre Hall of Fame by nytheatre.com. She has directed plays and readings for the Lark Play Development Center, Ensemble Studio Theatre, Theater for the New City, Urban Stages, the Bleecker St Theater, the Workshop Theater, Nylon Fusion, Abingdon Theatre, Oberon Theatre, the Samuel French Short Play Festival, Planet Connections Festivity, the Midtown International Festival, the Prague Fringe Festival, the Dramatists Guild, NY Madness, the Players Club, the Lambs Club and the Actors Studio. Joan has an MFA in Directing from The New School, an MS in Museum Education from Bank Street College and is a member of The New York Madness Company, the Dramatists Guild, the League of Professional Theatre Women and the Society of Stage Directors & Choreographers. Sheila Simmons (Dir: Hashtag Jones) Sheila has an extensive creative career that encompasses many genres. Her first film short, REPRIEVE was accepted to the New Filmmakers Winter Film Series, an Official Selection for NYC Filmmakers Festival, NY, International Film Festival (LA) and The REAL You Film Festival. Aside from writing the graphic novella REPRIEVE is based on, she has written, directed and produced other film projects, such as A LOTHARIO’S LAMENT, the second short film that she wrote, directed and produced, which was an Official Selection in The Short Film Corner-Court Metrage at Cannes. Other festivals include The New York City International Film Festival, The Hoboken Film Festival and Manhattan International Film Festival, International Film Festival Manhattan, as well as a few selected screenings. She is now in production for her digital Police procedural that she wrote, directs and stars in entitled, BLUE WALL: THE SERIES. The show will be airing on VHX in the summer. |

The Guest Actors
Sarah Babb* (Consequences)
Sarah Babb is an actor and a writer. She was born and raised in Newfoundland, Canada, and has been working as an actor in NYC for the past 10 years. Her recent stage credits include: Bee: A one woman show (New York Theater Festival) Sweet Stuff (New Perspectives Theater Co.) Up or Down (FAB/The Barrow Group). Recent Film and TV credits include: FOG (Short) The Crack in Everything (Short) Limitless (CBS) and The Mysteries of Laura (NBC). She studied at George Brown Theatre School in Toronto, Canada.
Sarah Babb* (Consequences)
Sarah Babb is an actor and a writer. She was born and raised in Newfoundland, Canada, and has been working as an actor in NYC for the past 10 years. Her recent stage credits include: Bee: A one woman show (New York Theater Festival) Sweet Stuff (New Perspectives Theater Co.) Up or Down (FAB/The Barrow Group). Recent Film and TV credits include: FOG (Short) The Crack in Everything (Short) Limitless (CBS) and The Mysteries of Laura (NBC). She studied at George Brown Theatre School in Toronto, Canada.

Darius Baker (Eenie Meenie Miney NO; Hashtag Jones)
Darius Baker is a first-time Actor for Articulate Theatre Company! Born and raised in East New York, Brooklyn, he graduated from The City College of New York with a Bachelors in theatre. Credits include: Pigeon Spikes (The Dixon Place), The Feather Doesn’t Fall Far from the Wing (The Signature Theatre), Working: A Musical (Aaron Davis Hall). Darius is grateful for this amazing opportunity to work with the Articulate Theatre Company and would like to thank his family and friends for their continuous support.
Darius Baker is a first-time Actor for Articulate Theatre Company! Born and raised in East New York, Brooklyn, he graduated from The City College of New York with a Bachelors in theatre. Credits include: Pigeon Spikes (The Dixon Place), The Feather Doesn’t Fall Far from the Wing (The Signature Theatre), Working: A Musical (Aaron Davis Hall). Darius is grateful for this amazing opportunity to work with the Articulate Theatre Company and would like to thank his family and friends for their continuous support.

Ayodele Campbell (Hashtag Jones)
Ayodele was born and raised in Queens, New York. She found her love for acting in high school, attending Frank Sinatra School of the Arts as a drama major. Acting credits include local productions such as The Names That Hurt ( FFSA), Spring Awakening (FFSA), Julius Caesar (FFSA), Bully (Fidelity Theatre), Knight of the Burning Pestle (Nyack College Theatre) & Shattered (Black Theatre Productions). Ayodele is also a gospel singer, a recent member of Songs of Solomon Inspiration Ensemble Inc. She has performed in various venues & shows around the city and country. She is an avid traveler and donates her time to numerous social causes in the USA & abroad. She is a first time actress with Articulate Theatre Company.
Ayodele was born and raised in Queens, New York. She found her love for acting in high school, attending Frank Sinatra School of the Arts as a drama major. Acting credits include local productions such as The Names That Hurt ( FFSA), Spring Awakening (FFSA), Julius Caesar (FFSA), Bully (Fidelity Theatre), Knight of the Burning Pestle (Nyack College Theatre) & Shattered (Black Theatre Productions). Ayodele is also a gospel singer, a recent member of Songs of Solomon Inspiration Ensemble Inc. She has performed in various venues & shows around the city and country. She is an avid traveler and donates her time to numerous social causes in the USA & abroad. She is a first time actress with Articulate Theatre Company.

Laurence Cantor* (Perversity)
I have written and directed for the stage, but essentially I am an actor. Among more than 150 acting gigs, my favorites include, on stage: Goldberg in Pinter’s The Birthday Party, Polonius in Hamlet, The Father in Pirandello’s Six Characters in Search of an Author, Roebuck Ramsden in Shaw’s Man and Superman, Kolenkhov in Kaufman & Hart’s You Can’t Take It With You, The Old Man in Sam Sheperd’s Fool for Love and Chebutykin in Chekhov’s Three Sisters; in films: Abu Ali in Homeland, Opera in SubterraNYa and Avram in Warsaw; on TV/Internet video: Frank Norton in “Pioneer One” and The Boss in “The Lydia Show.” I’ve trained at T. Schreiber Studio, HB Studio and elsewhere with Terry Schreiber, Austin Pendleton, Peter Jensen, Christopher Martin and a host of others. For further information, please see laurencecantor.com
I have written and directed for the stage, but essentially I am an actor. Among more than 150 acting gigs, my favorites include, on stage: Goldberg in Pinter’s The Birthday Party, Polonius in Hamlet, The Father in Pirandello’s Six Characters in Search of an Author, Roebuck Ramsden in Shaw’s Man and Superman, Kolenkhov in Kaufman & Hart’s You Can’t Take It With You, The Old Man in Sam Sheperd’s Fool for Love and Chebutykin in Chekhov’s Three Sisters; in films: Abu Ali in Homeland, Opera in SubterraNYa and Avram in Warsaw; on TV/Internet video: Frank Norton in “Pioneer One” and The Boss in “The Lydia Show.” I’ve trained at T. Schreiber Studio, HB Studio and elsewhere with Terry Schreiber, Austin Pendleton, Peter Jensen, Christopher Martin and a host of others. For further information, please see laurencecantor.com

Valerie David* (Consequences)
Valerie David is an award-winning actor/playwright of The Pink Hulk, performing around the globe (directed by Padraic Lillis). A graduate of AADA and JMU, memberships include the Dramatists Guild, LPTW, TRU, AEA and SAG-AFTRA. Credits include A Stoop on Orchard Street, Rumors and Blown Sideways Through Life. Valerie is developing a new play, Baggage From BaghDAD. Special thanks to Articulate Theater Company for this performance opportunity in Consequences. Visit www.PinkHulkPlay.com.
Valerie David is an award-winning actor/playwright of The Pink Hulk, performing around the globe (directed by Padraic Lillis). A graduate of AADA and JMU, memberships include the Dramatists Guild, LPTW, TRU, AEA and SAG-AFTRA. Credits include A Stoop on Orchard Street, Rumors and Blown Sideways Through Life. Valerie is developing a new play, Baggage From BaghDAD. Special thanks to Articulate Theater Company for this performance opportunity in Consequences. Visit www.PinkHulkPlay.com.

William Franke* (Perversity, This is Bull)
William Franke is an actor and also a writer/producer on the award-winning paranormal anthology podcast Uncanny County (uncannycounty.com – season 3 coming soon!) TV: High Maintenance (HBO), The Blacklist (NBC), Law & Order: SVU (NBC), All My Children (ABC), The Electric Company (PBS). Film: See You Tomorrow, The Next Stop, If The Trees Could Talk, Alone. Stage: This Lingering Life, It’s a Wonderful Life: A Live Radio Play (Cake Prods., co-producer); Coyote Katie’s Return, (Route 66 Rodeo/FringeNYC); Eye of God, The Soldier Dreams (Theatre East; co-producer). AEA, SAG-AFTRA williamfranke.com
William Franke is an actor and also a writer/producer on the award-winning paranormal anthology podcast Uncanny County (uncannycounty.com – season 3 coming soon!) TV: High Maintenance (HBO), The Blacklist (NBC), Law & Order: SVU (NBC), All My Children (ABC), The Electric Company (PBS). Film: See You Tomorrow, The Next Stop, If The Trees Could Talk, Alone. Stage: This Lingering Life, It’s a Wonderful Life: A Live Radio Play (Cake Prods., co-producer); Coyote Katie’s Return, (Route 66 Rodeo/FringeNYC); Eye of God, The Soldier Dreams (Theatre East; co-producer). AEA, SAG-AFTRA williamfranke.com

Brad Fryman* (Triggered)
Brad recently played the Captain in Strindberg’s The Father at Strindberg Rep., Theo Van Gogh in Natalie Menna's Committed, directed by Brock Harris and Menna’s Occasionally Nothing, directed by Ivette Dumeng. Some favorite New York credits include The Drawer Boy by Michael Healey, directed by Alex Dinelaris; American Rapture, also directed by Alex Dinelaris, Order By Christopher Stetson Boal, directed by Austin Pendleton; Pimm’s Mission by Christopher Stetson Boal, directed by Terrence O’Brien; A Wilder Christmas by Thornton Wilder, directed by Dan Wackerman; and Einstein directed by Randy Curtis Rand. You might have seen him last year in Blue Bloods; or the short film Behind Bars written and directed by Jeff Wincott. Brad also serves as the Artistic Director of the Oberon Theatre Ensemble currently celebrating it’s 20th season. For more info visit BradFryman.com
Brad recently played the Captain in Strindberg’s The Father at Strindberg Rep., Theo Van Gogh in Natalie Menna's Committed, directed by Brock Harris and Menna’s Occasionally Nothing, directed by Ivette Dumeng. Some favorite New York credits include The Drawer Boy by Michael Healey, directed by Alex Dinelaris; American Rapture, also directed by Alex Dinelaris, Order By Christopher Stetson Boal, directed by Austin Pendleton; Pimm’s Mission by Christopher Stetson Boal, directed by Terrence O’Brien; A Wilder Christmas by Thornton Wilder, directed by Dan Wackerman; and Einstein directed by Randy Curtis Rand. You might have seen him last year in Blue Bloods; or the short film Behind Bars written and directed by Jeff Wincott. Brad also serves as the Artistic Director of the Oberon Theatre Ensemble currently celebrating it’s 20th season. For more info visit BradFryman.com

David Lamberton* (Triggered)
David came to NYC after a teacher (public school) – actor (stock, regional) life in Rhode Island. Favorite roles/shows include: John Proctor/The Crucible; Oberon-Theseus/A Midsummer Night’s Dream; Max/Lend Me a Tenor; Laertes/Hamlet (Ukraine Tour); Zeus-Amphitruo/The Amphitryon; Chief Bromden/One Flew Over the Cuckoo’s Nest. Film work includes the 2018 Indie feature Monsters and Men (John David Washington, Anthony Ramos) and several national/international award-winning short films. David has: appeared on the Jimmy Fallon, and Seth Meyers TV shows; created one-man shows for the Fenimore Art Museum summer exhibitions as artists Maxfield Parrish, James McNeil Whistler, and Henri de Toulouse-Lautrec; recently originated roles in NYC premiere staged readings: Tom and Ted Go to the Races by Edgar Chisholm, Talk to Me by Megan Bussiere, and The Institute by John N. Frank; been the original, live “Sam Adams” for Boston Beer Co. www.DavidLamberton.com
David came to NYC after a teacher (public school) – actor (stock, regional) life in Rhode Island. Favorite roles/shows include: John Proctor/The Crucible; Oberon-Theseus/A Midsummer Night’s Dream; Max/Lend Me a Tenor; Laertes/Hamlet (Ukraine Tour); Zeus-Amphitruo/The Amphitryon; Chief Bromden/One Flew Over the Cuckoo’s Nest. Film work includes the 2018 Indie feature Monsters and Men (John David Washington, Anthony Ramos) and several national/international award-winning short films. David has: appeared on the Jimmy Fallon, and Seth Meyers TV shows; created one-man shows for the Fenimore Art Museum summer exhibitions as artists Maxfield Parrish, James McNeil Whistler, and Henri de Toulouse-Lautrec; recently originated roles in NYC premiere staged readings: Tom and Ted Go to the Races by Edgar Chisholm, Talk to Me by Megan Bussiere, and The Institute by John N. Frank; been the original, live “Sam Adams” for Boston Beer Co. www.DavidLamberton.com

Tara Reuter* (Perversity)
Tara is a NYC based actress and musician. She graduated from The Hartt School with a BFA in Actor Training and a BA in English Literature. Credits include A Christmas Carol (Hartford Stage), Dracula and the world premiere of A Year in the Trenches (East Lynne Theatre Company), Arsenic and Old Lace (The Heights Players), Twelfth Night and A Midsummer Night’s Dream (Valley Shakespeare Festival), Encore! National Tour (Chamber Theatre Productions), Love, Sex, and the IRS (The Warner Theatre). Tara has extensive classical training and has studied and performed in Birmingham, England. She also enjoys playing the ukulele, bass guitar, viola, and piano.
Tara is a NYC based actress and musician. She graduated from The Hartt School with a BFA in Actor Training and a BA in English Literature. Credits include A Christmas Carol (Hartford Stage), Dracula and the world premiere of A Year in the Trenches (East Lynne Theatre Company), Arsenic and Old Lace (The Heights Players), Twelfth Night and A Midsummer Night’s Dream (Valley Shakespeare Festival), Encore! National Tour (Chamber Theatre Productions), Love, Sex, and the IRS (The Warner Theatre). Tara has extensive classical training and has studied and performed in Birmingham, England. She also enjoys playing the ukulele, bass guitar, viola, and piano.

Mireya Rios (Melting the ICE)
Mireya is a Mexican actress and producer currently based out of NY and LA. She is a graduate of Lee Strasberg Theatre and Film School NY and has participated in theatre programs in UCLA. She has done various independent and short films including “Fashion Fetish” a short film with academy award nominee Chloe Sevigny. Most recently she wrapped a leading role in “Green Envy” a short set to come out in the next couple of months and is currently in pre-production stages for two short films set to shoot before summer 2019.
Mireya is a Mexican actress and producer currently based out of NY and LA. She is a graduate of Lee Strasberg Theatre and Film School NY and has participated in theatre programs in UCLA. She has done various independent and short films including “Fashion Fetish” a short film with academy award nominee Chloe Sevigny. Most recently she wrapped a leading role in “Green Envy” a short set to come out in the next couple of months and is currently in pre-production stages for two short films set to shoot before summer 2019.

Briana Sakamoto* (Eenie Meenie Miney NO)
Briana Sakamoto is a queer actor/singer/mover. Off-Broadway, Off-off-Broadway, nationally, and onscreen, they’ve played roles from Juliet Capulet to the Marlboro Man, operatic soubrette, modern day Cyrano, to rapping katana-wielding psychic. Member of AEA, SAG-AFTRA, and Ring of Keys. www.brianasakamoto.com
Briana Sakamoto is a queer actor/singer/mover. Off-Broadway, Off-off-Broadway, nationally, and onscreen, they’ve played roles from Juliet Capulet to the Marlboro Man, operatic soubrette, modern day Cyrano, to rapping katana-wielding psychic. Member of AEA, SAG-AFTRA, and Ring of Keys. www.brianasakamoto.com

Joris Stuyck* (Hashtag Jones)
Joris most recently appeared as Martin Heidegger in Arendt-Heidegger: A Love Story at Theater for the New City. Other recent stage roles in NYC include Bob Smiley (a thinly disguised Bill Clinton) in Heather Smiley for President, also at TNC; Bishop Guzmán in The Road to Damascus at 59E59 for the Directors’ Company; Prospero in The Tempest for Hip to Hip; and various Shakespearean roles for NY Classical Theatre. Regional theatrical roles include the title role in Sherlock Holmes: The Final Adventure (Cincinnati Playhouse), Montano in Othello (D.C. Shakespeare), and Doc in The Medal of Honor Rag (Shadowland). English credits include Mickey in The Normal Heart with Martin Sheen at the Royal Court, Count Tibor in the film The Shooting Party, and lead roles in several British series and miniseries including We’ll Meet Again, Tender Is the Night, and Woman of Substance. U.S. TV credits include Madam Secretary, The Blacklist: Redemption, The Americans, and Law & Order, as well as several miniseries, TV movies, and soap operas.
Joris most recently appeared as Martin Heidegger in Arendt-Heidegger: A Love Story at Theater for the New City. Other recent stage roles in NYC include Bob Smiley (a thinly disguised Bill Clinton) in Heather Smiley for President, also at TNC; Bishop Guzmán in The Road to Damascus at 59E59 for the Directors’ Company; Prospero in The Tempest for Hip to Hip; and various Shakespearean roles for NY Classical Theatre. Regional theatrical roles include the title role in Sherlock Holmes: The Final Adventure (Cincinnati Playhouse), Montano in Othello (D.C. Shakespeare), and Doc in The Medal of Honor Rag (Shadowland). English credits include Mickey in The Normal Heart with Martin Sheen at the Royal Court, Count Tibor in the film The Shooting Party, and lead roles in several British series and miniseries including We’ll Meet Again, Tender Is the Night, and Woman of Substance. U.S. TV credits include Madam Secretary, The Blacklist: Redemption, The Americans, and Law & Order, as well as several miniseries, TV movies, and soap operas.